Concert by pianist Max Motterle Roana

Concert by pianist Max Motterle July 11 to Roana. plays Liszt, Brahms, Chopin and Schumann

It begins: the concert season, the Literature and art & Music Culture Association begins Thursday, July 11 at 21.00 hours at the Santa Giustina di Roana , with the inaugural concert that features the pianist Max Motterle.

A long-awaited returnto Motterle, presenting a virtuoso program, and especially meaningful at the same time due: pianist par excellence, will begin with Funeraillès, a masterpiece of maturity by f. Liszt.  Divided into 4 sections, a dark and gloomy adagio movement leads to the theme of the next piece: the funeral which will be transformed into an expressive melody that conveys a sort of sad sense of hope. Then follows a heroic, powerful gear, which increases in intensity until it reaches a fortissimo peak, to arrive at the conclusion, in which Liszt takes up the themes above, up to an exciting finale.
Followed, Brahms, Variations on an original theme op. 21: the composer is expressed with the widest freedom of invention, allowing his imagination to range freely and creating, in the succession of variations, a unitary whole, culminating in afinal mpio which also has the meaning of an Act of liberation.

Can't miss Chopin, which Motterle is masterful interpreter (his discography, including some mainstays of pianistic literature such as 4 Ballades by Chopin): will run 3 Mazurkas of Chopin who wrote 60 throughout the ' arc of his activity as a composer, with its elements of Polish peasant music in his training as a musician.

To follow, by r. Schumann, Papillon, op. 2: inspired by apoetic image taken from the book "Flegeljahre (Years scapigliati), by Jean Paul: the composer describes a moment in which the protagonists find themselves, get lost, run in the unreal atmosphere of a masked ball on the theme of butterflies.

CONCERT PROGRAM

Hours 21.00-concert pianist Max Motterle with music by Liszt, Brahms, Chopin, Schumann

Followed by a small reception

As always, the 'entrance is free.

For information:
www.

Maximilian Motterle

bresciano of birth and musical education, he studied with Sergio By graduating at the Conservatorio Giuseppe Verdi in Milan, with honors, praise and mention d ' honor, and was awarded in more than twenty national and international contests including the prestigious Liszt Competition in Budapest, the international competition in Cincinnati, Iturbi Competition in Valencia and Mario Zanfi Competition in Parma, where she won the Special Jury Prize for the best performance of the Liszt Sonata.

At just 21 years debuted in the Sala Verdi del Conservatorio di Milano by 3° Concerto of Sergei Rachmaninoff with theOrchestra della RAI di Milano conducted by Daniele Callegari.
Due to their pianist par excellence, has been invited to perform in Malediction Great Concert Hall in Budapest with the Franz Liszt Chamber Orchestra, and Totentanz with Hungarian Matav Symphony Orchestra conducted by Andras Ligeti the prestigious Hall of the Liszt Academy.
Has given concerts in Austria, Belgium, Germany, France, Switzerland, Spain, Sweden, Hungary and the United States. He has performed for institutions such as the Festival Pianistico of Brescia and Bergamo, the Fondazione Cini in Venice, la Società dei Concerti di Milano, Sandviken Musik Festival, the Kodaly Institute, and with the Cincinnati Symphony Orchestra, the Orchestra of Valencia, ' l 'the Sanremo Symphony Orchestra, the Orchestra of the Festival Pianistico of Brescia and Bergamo and the Orchestra da Camera di Bresciaunder the direction of Umberto Benedetti Michelangeli, Riccarco Frizza, Neil Gittleman, Andras Ligeti, Piercarlo Orizio and Jonathan Webb.

He has collaborated with artists such as Andreas Brantelid, Karin Dornbusch, and the Quartetto della Scala.
In 2009, after having met for The Turn of the Screw by Britten, is a Duo with Fulvio Luciani, a violinist with whom he has recorded for the Naxos label certain pages of Chamber Camillo Sivori.
In the highlight of his career was suddenly struck by focal dystonia, a disease which prevents the fingers of the hand control; his career was then relentlessly convulsed, but after a period of reflection Motterle, driven more than ever by his insatiable curiosity, begins to delve into the piano repertoire written for the left hand alone, returning to play in public; for some months he started to use both hands.

He teaches piano at the Conservatory of Foggia and is Director of the 'di Cortefranca Pasini Academy; in 2004 gave a masterclass at the University of Cincinnati and currently holds summer courses in Roana (Vi) and Rovato (Bs).
It is also active in the Organization: is artistic Director Festival Musical Waves of Iseo, which he founded in 2010. His discography includes some mainstays of pianistic literature such as 4 Ballades by Chopin.