' Art Masterpieces of Rembrandt, Dali, Picasso, Chagall and Veneti From ' White

" ' Art Masterpieces of Rembrandt ", Dali, Picasso, Chagall and Veneti From ' White Goose, Ciardi, Luigi Nono, Falcon, Borsato, widow, Asiago from June 9 November 25, 2012

The Pro Loco Asiago and Sasso, in collaboration with the Municipality of Asiago, offers from 9 June to November 25, 2012, at the Museo Le Carceri, the exhibition "masterpieces of Art-Rembrandt, Dali, Picasso, Chagall and the Veneti Dall'Oca Bianca, Ciardi, Luigi Nono, Falcon, Borsato, widow."

Will be exposed over one hundred masterpieces performed by international artists; a review that, starting from the Flemish Executive review of Rembrandt and various contemporary strands, go to grasp from the 18th century to the present day interpretations of painting and sculpture which took value thanks to the technical development of Flemish Masters.

The exhibition is curated by the art critic d ' Giorgio Barberis (Director of University of CompartmentAccademia di Belle Arti di Cuneo), in collaboration with Luca Barsi, Maurizio Tala, Roberto Tato, the art expert of Court and the Chamber of Commerce of Cuneo, Piero Siena, the painter Marco Gas and graphics expert Monica Rachel Milani.

Dr Giorgio Barberis, already a few years ago, he edited numerous prestigious exhibitions at the Museum the jails of Asiago, then it is a relationship/partnership now enduring with this city.

The review of this ' year is filled with over 100 new works from private collections (paintings, sculptures and graphics).

These works provide an initial core dedicated to Flemish painting with the aim of acquainting the Viewer as this has proved important in the artistic evolution of the following centuries.

In fact, oil paints, known from antiquity and used ' in the late Middle Ages, certainly had some flaws: stretched badly and threatened to alter the desired colors.

The Flemings in the 15th century perfected the technique of painting, making it suited to shades: since the colors drying very slowly it was possible to proceed to subsequent veils, i.e. layers of translucent color and transparent, which made the brilliant polished, painted and allowing you to define the different consistencies of fin surfaces in the most minute details.

But the ' use of oily Binder alone cannot explain the Flemish artistic revival due to light and its manifestation on the most different surfaces, in fact certain outcomes occur in works produced using different techniques, such as thumbnails.

The studies carried out during the restoration of the ' Altarpiece Mystic Lamb made it possible to clarify the technical conditions with which the best Flemish works were produced.

Firstly the painter on ' white primer, outlined a plan summary and susceptible to variations, with a sketch of the modeled. Then stretched out a basic colour representing the average color tints, which began to spread the chiaroscuro.

Each figure was then taken with successive layers of glazing slightly chiaroscurate, in number and very variable thickness depending on the desired effect.

And this becomes the central theme of the exhibition: i.e. explain so Museum as technician and, starting from the observation of works of 16th century Flemish has been able to achieve technical results of chromatic exponents of Venetian painting and not 7/800 to reach more of the 800 which Boldini, Zandomeneghi, Segantini, Dall'Oca Bianca, Luigi Nono, Falcon, Bison, Borsato, Grubacs, Moja, Caffi, Ciardi, Feric and lesser known painters who have been perfecting their sixteenth-century through innovation ductus who, abandoned by Renaissance and typically by neoclassical, was picked up by artists operating after the French Revolution.

Can not miss then, in this context, also works by Picasso, Carrà, Balla, Severini, Chagall, Dali, De Chirico, Morandi, Guttuso, De Pisis, Casorati, Fontana, and, of course, of the great exponents of the art of the Historical avant-garde period where Russolo, Depero, Dudreville, Marussig, Mainolfi, Vedova, Afro, Music, Guidi, Crippa, Rotella, Spazzapan, Hartung Fillia, Rossi and others; all the most important protagonists of the forgotten Muse two centuries elapsed.

By vedutismo to Cubism in space, with parenthesis dedicated to pop-art and op-art over 100 works recount the decisive years of artistic change between ' 800 and ' 900 both technically both under that "Linguistics".

The work proposed under review thanks to the sensitivity and availability of collectors have been carefully selected in order to their particular artistic and historical importance: it is testament to the rich bibliographic and curriculum in view, complemented by explanatory video 2 (one on the big screen), from a large catalogue-Guide and dedicated graphics to any explanations. An excellent event that wants to offer to the public and to scholars, experts and young people who come to this world of signs and colors, a chance to see combined in a single review the most significant historical evolution of Western art.

The exhibition runs through a scientific path that wants to highlight, in their essential features, the genesis of national and international artistic movements.

In addition to the core, the great Flemish as Zandomeneghi, Ciardi, Picasso, Kokoscha and so forth which, starting from the figurative and analytical, they found a certain balance in the use of color to pursue personal research impact for the future of art.

A specific section is devoted to the exponents of Futurism (which in England was extremely fertile soil) of the Roman "Forma Group 1" natural conclusion of influences derived from the great masters of the early ' 900, at the recent Group of Transavanguardia artists and most popular generation veneta and national authors like Medlar, Nunziante, Baretta Politi, Sismonda, Gas etc.

This is actually a proposal to review the History Museum of art in all respects; This review represents a further opportunity to increase ' quality of ' tourist attractions, especially in the cultural and artistic profile.

OPENING HOURS

From 9 June to 9 September: Mondays to Saturdays from 10:00 to 12:30 and from 15:30 to 19:30.

Sunday and holidays from 10:00 to 13:00 and from 15:00 to 20:00

From 15 September to 25 November, Saturdays, Sundays, Saturdays and Sundays from 10:00 to 12:30 and from 15:30 to 19:30.

TICKETS COST INGREZZO to VIEW the MASTERPIECES of " ' ART "

Full: € 5

REDUCED: € 3 (under 18, over 65, residing at Asiago, groups of minimum 15 people and schools)

For Further Information: Tel.