Artemusica Culture-concert by the pianist Marco Borghetto

Music by Beethoven, Brahms, Chopin, Debussy

Artemusica Culture begins its winter festival presenting a young musician of great talent; This continues our goal to offer quality concerts, not only with artists but also by artists who are now beginning their careers, that certainly will be brilliant.
It is indeed a great honor for us having made all these years, very young concert artists, which now are having great success.  the concert will be followed by light refreshments, and as always, free admission.

Marco Borghetto was born in Vicenza on February 15, 1998.      He began studying piano at the age of five with the m.° F Zuccon Ghiotto, under whose guidance in June 2015, she obtained a Diploma in Music Performance Plan ABRSM (Associated Board of the Royal Schools of Music) with Distinction rating.
In 2009 is admitted at the Conservatory a. Pedrollo in Vicenza, where he attended the eighth year of the school of piano under the guidance of the teacher Federica Righini.
Currently, always at the Conservatory of Vicenza, are attending the "basic training course for conducting" held by m. or Giancarlo Andretta.
Refines its preparation regularly participating in numerous master classes, taught by internationally renowned masters: Wolfram Schmitt-Leonardy, Riccardo Zadra, Stefania Neonato, Boris Berman, Roberto Prosseda & Alessandra Ammara.
He has performed as a soloist in many concerts, getting more favor with the public and critics, and successfully participated in several competitions, obtaining the first prize at the III Contest "City Piove di Sacco"; the second prize in the 9TH competition "Marco Fortini"; first prize in the competition "City Piove di Sacco"; the second prize at the III Concorso Pianistico "Andrea Baldi"

Here are some notes about the program:

The Sonata of Beethoven, "the storm", is one of the most popular Beethoven sonatas and is inspired by the penultimate Shakespeare "the tempest" sonata, composed between 1801 and 1802, plays a lot of contrasts and contains all the characters in the work of Beethoven: the contrasts are subtle and characterised by the frequent alternation of slow and fast sections: the arpeggio of the Largo and the disquieting Allegro. The recovery exposes dramatic shades melodic ideas, fragmentary harbingers of strangers, upcoming events; emotional tension which tends to fade into a simple melody. The allegretto finale, energetic and obsessive, is an Arabesque of ideas that, as in a Chase, overlap without find no rest.

The op. 3 119 of Brahms, intermezzi and a Rhapsody, constitutes the last piano works of Brahms.
The artist breaks free completely hear and only his own soul: Brahms piano takes the role of symphonic and potential tool manages to make music a route, a life devoted to art, grandeur, achieved with the constant alternation of Majesty and tenderness. The game balances melancholy present in op. 119 does wander the interpreter and the listener through a secret bond poetic
.

The Scherzo op. 31 is the most amazing and popular pages by Chopin: Schuman has likened this prank to a poem by Byron "so full of tenderness, courage, love and contempt."
Is among the most popular pages of Chopin and Schumann himself spoke for heady, comparing it to a poem in terms of Byron for tenderness and the boldness of his musical language. Consists of a quick, organized in two episodes: the first slim and buff and the second cantabile and ben ritmato, in the spirit of the Waltz. Expressive point of view the joke is clear and bright; perhaps reflects the mood of the musician who at the time was thought to marry Maria Wodzińska, to whom he would dedicate the famous Waltz of farewell and it would be forced to leave because of the opposition of her father.

Images, Claude Debussy's Première series ' constitutes a turning point in the history of piano technique and is undoubtedly one of the highest achievements of art of Debussy. It is a Suite of three pieces, just as many musical evocations of "inner landscapes" more or less connected to nature "external" influences:
Reflets dans l'eau ("reflections in water"): a song structurally complex, consisting of a continuous blooming musical ideas that evoke synesthesia to the Visual sensation of the water ...
' Hommage à Rameau ("Hommage to Rameau"): a slow Sarabande, sensual time introspective now and even melancholy.
Mouvement ("motion"): a very lively piece of great technical difficulty, ceaseless flow of electricity, almost.