Sunday 27/3/2016 at 21:00
Concerts
"Journey into European romanticism": Alberto Tecchiati, cello-Angelo Morelato, piano-music by Faure, Rachmaninov, Schumann, Brahms
Artemusica Culture of Roana continues its activities by offering to fans on Easter traditional meeting with classical music.
The concert, for cello and piano, will take place on Sunday 27 March, at 21.00, at the Council Chamber of the Town Hall of Canove, and will be followed by light refreshments.
The concert the Duo Tecchiati-Malik will present, will be an opportunity to know and deepen the Repertoire and features of this Chamber music. The Duo, winner of Terenzio Zardini of Verona of 2015, we will propose a "musical journey" romantic Europe, touching different styles and traditions. The first part of the concert will be dedicated to the shape of the Lied with authors like Fauré (Après un rêve and Sicilienne op. 78), Rachmaninov (Vocalise) and Schumann (Fantasiestücke op. 73); the second part will be entirely devoted to Sonata form, with a performance of the famous Sonata op. 38 by Brahms, song characterized by technical and interpretative difficulties for this training.
Listening guide
Vocal chamber music was a constant in the career of Gabriel Fauré that already during the years of study had embarked on the composition of a cycle of Mélodies. Preferably in groups of two and three melodies, sometimes even four or five, the composer wanted to honor girlfriends gentlewomen; between the look of mélodies figure several times the name of Pauline Viardot which Fauré hoped for some time to become law.
The romance we'll listen, Après un rêve, is an example of the intimate dimensions contained typical of vocal repertoire of Chamber music of the French composer.
In addition to the two sonatas for cello and piano, belonging to the fullness of Fauré and among the most important French works, the composer wrote for the same instrumental training a number of smaller pieces. Some of these are pages, sheets of album conceived as a tribute to friends or songs requested by editors who wanted to profit from the original melodic vein of the author. But what never fails, even in these pages are somehow "lesser" lyricism (hallmark of the whole work of Fauré) and the typical reserve intimate, essential aspects of a refined sensibility and elitist. The Sicilienne op. 78 is one example.
Vocalise op. 34 No. 14 is a composition of Russian pianist Sergei Rachmaninoff, published as the last of his Fourteen Songs of that opera. In its original form is an ' exercise ' for voice devoid of text, the choice of which of the vowels is left to the performer, obviously accompanied by piano; written for a tenor or soprano voice (although for the latter), is dedicated to Antonina Nezhdanova, who was the first to perform this song.
Robert Schumann wrote the Fantasiestücke op. 73 in 1849, during one of his recent periods of happy creative fervor. The work was conceived for clarinet and piano, but the author himself contemplated the possibility of executing it with both the violin cello (cello version nowadays is the most widely performed).
The Sonata in e minor op # 1. 38 was composed by Johannes Brahms between 1862 and 1865: the opera reflects research undertaken by Brahms in those years its own tone of voice of Chamber music; a tone of voice instrumental log centric moderate-heavy and that is therefore an optimal expressive medium in the combination of cello and piano. Writing the op. 38 denotes an admirable diversification and wealth in the mode of interaction between the two instruments; It also stands out for being a sort of homage to the venerated 18th century tradition (but were also designated, from critics, numerous quotes from Schubert).
Alberto Tecchiati was born on 17 December 1995 in Rovigo. He began studying cello at 10 years. She attended courses of violoncello with e. Bronzi, l. Simoncini. F. Ferrarini, s. Casey,, e. Dindo, c. Coin, m. Leskovar, g. Salas, i. Rizzi, Mario Brunello, m. Sadiku, n. Gutman, s. Laffranchini, m. Parker, and chamber music with p.n. Masi, b. Canino, k. Bogino and l. Pietrocini. He won the scholarship of the academic year 2011/2012 at the Conservatory "f. Venezze" Kiwanis "Scholarship" of the Conservatory "a. Buzzolla" in December 2013 and the "Premio Terenzio Zardini" in Verona in 2015. It turned the fourth ranked "Premio Abbado" 2015 announced by the Ministry of education, University and research in Italy. He obtained first prizes in competitions such as "a. Salieri in Legnago, Musical Competition" of Riccione, "Crescendo" of Florence, music competition Prize of the town of Piove di Sacco. Participated in contests "International Cello Competition 10 Antonio Janigro" juvenile of Porec and the Salzburg 2014 "Contest" Mainardi. She studied in Salzburg at the Headquarters "Universität Mozartuem" by g. Gnocchi. He won the selection for the orchestra SHMF (Schleswig-Holstein Musik Festival). The SHMF concerts were held in cities such as Lübeck, Kiel, Neumünster, Rendsburg, Berlin, under the direction of renowned conductors such as c. Eschenbach, m. Sanderling, c. Halffter and d. Newman. He has worked with soloists such as p. De Maria, a. Lonquich,, i. van Keulen, d. Muller-Schott, p. Romero, c. Park, a. Lonquich, a. Janizczek.
Abdul Malik began his studies at the Conservatorio Statale di Musica "F.A. Dall'Abaco" with M° Adriano Ambrosini and graduated with highest honors in piano at the Conservatory "Lucio Campiani" of Mantua under the guidance of Maestro Salvatore Dario Salas. He graduated in Piano instrumental and vocal "contributor" with highest honors from the Conservatory "f. a. Bonporti" Trento under the guidance of M° Marino Nicolini.
He furthered his studies by participating in masterclasses by Boris Petrushansky, François-Joël Thiollier, Pier Narciso Masi, Stefano Pagliani, Jessica Dalsant, Filippo Faes, Marco mandolins, Roberto Fabbriciani, Pierpaolo Mahadik.
It was winner of numerous competitions, getting, among others, the 1° prize at the national competition "Città di Bardolino", Chamber music; the 3° prize not awarded at the international competition of young musicians with first "Antonio Salieri" di Legnago (Vr); the 2nd prize with first not won the contest "Città di Bardolino" Jan Langosz; the 2 first prize at the national competition "Vito Frazzi in Florence.
Regular activities as a pianist in chamber ensembles and as repetiteur in concerts, courses and competitions.
In the academic year 2015-2016 has been training as a pianist collaborator at the Hochschule für Musik und Theater in Leipzig.
Currently is being perfected with M° Cristiano Burato.
All rights reserved.
