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Artemusica Culture-Concerto for violin and piano

Saturday 28/4/2018 at 21:00
Concerts
04 28 foto lisa pivato

Lisa Pivato and Leonardo Vaccari-music by Debussy, Beethoven, Mendelssohn

The Association "Artemusica culture" of Roana proposes, on the evening of Saturday, April 28, an interesting concert date, for violin and piano. To perform at the Council Chamber of Canove, at 21.00, will be two talented young musicians, Lisa Pivato (violin) and Leonardo Vaccari on piano.

Very interesting program, focusing on music composed by three great authors, Debussy, Beethoven and Mendelssohn, who, with their different styles and sounds, will give way to the two artists to express their versatility and virtuosity.

Lisa Pivato, born in 1999, started studying the violin with F.De Saints to continue them at the liceo musicale Pigafetta with e. Ronconi.
From 2013 is the first part in Vicenza Youth Orchestra directed by master m. Saili and m. Doria, with whom she has performed as a soloist in the performance of Vivaldi's Seasons.
By 2014 plays into the ranks of the Orchestra Harmonica Workshop conducted by R.de Maio, Vicenza Youth Orchestra conducted by m. Saili and m. Doria and October 2015 participates in the Venice Baroque Music Project music season.  In March 2016 is admitted in the first violins of the Youth Orchestra of the Rome Opera directed by a. Carter. Studies with l. Braga at the Music Academy in Sacile and summer courses of FVG International Music Meeting, with M.C. Carlini and R.De Maio.
Performs Vivaldi's seasons as soloist at the Teatro Olimpico in Vicenza and he performed as a soloist in Vienna and Budapest, Osijek and shoulder.                            He won first prize at the Walled City in Chamber music.
Complements the violin studying piano.

04 28 foto leonardo vaccari Leonardo V, born in 1999, privately began studying piano at the age of five.
In the year 2009 enters the piano class of Maestro Federica Righini at the Conservatory "a. Pedrollo"in Vicenza and is currently attending the 9th year of" ex-oordinamentali ".
He has participated in many national and international piano competitions, including "international piano competition for young talent Pia Tebaldini" in Brescia (1° and 2° Prize), "national contest Città di Piove di Sacco" (2nd prize), "international competition Premio Città Murata "in Cittadella (1 St prize) and" San Donà di Piave City "international piano competition (third prize).
Since 2009 is a regular concert activities, in collaboration with the cultural association "OttavaNota" of Vicenza.
From 2016 will perform solo and chamber music in Vicenza in Palazzo Cordellina, by the Centro Culturale Italo-German Villa's heels, in the concert hall "m. Parkar" of the Conservatory "a. Pedrollo" and in the boardrooms of the accommodation Prefectural for corporate events.
On the occasion of the centenary of the Russian revolution he took part in the eighth edition of the Festival "East of music" in Vicenza and at the concert "epresse" Vanguards in Gorizia.
In 2018 performs with the Chamber music class of Maestro Stefania Redaelli and M° Gianluca Saccari's photo at the Sale Apollinee del Teatro "La Fenice" in Venice on the occasion of the lecture series-season concert "Musik @ teen 2018".
He attended piano masterclasses masterclasses with Stefania Neonato, John o'conor, Aleksandar Madžar, Jean-Pierre Armengaud.
Is fifth-year student at Liceo "a. Pigafetta" in Vicenza, "classical" International address.

Notes on map
Inspired by an 18th-century painter Antoine Watteau probably, embarquement pour Cythère, L'isle Joyeuse was composed by Claude Debussy in September 1904. Traditional text input, anchored at postlisztiano, virtuosity is a concert piece thought in relation to large concert halls. Looks like an expression of symbolism and naturalism are typical of Debussy, where references to the themes of water and of love are easily recognizable, starting from the initial invitation, a lively chromatic Cadence and pivot to "embark" in the experience of listening to the track.

Beethoven conceived and published the Piano Sonata op. 109 between 1819 and 1821, in parallel with the drafting of the Missa Solemnis and Ninth Symphony. The dialectic between the two initial movements, one sweet tones and iridescent, almost floating, the other strong character and terse, heir of the traditional Scherzo, flows into the broad architecture of theme and variations. In the latter time, true Center of gravity and the heart of the Sonata, the author, demonstrating an original reworking of Bach's Goldberg Variations lesson, door with sublimation and thematic substance in a metaphysical turn typical dematerialization the last stage of production of Beethoven.

The Concerto for violin and orchestra op. 64 is the last composition for soloist and symphony orchestra of Felix Mendelssohn Bartholdy and one of the most famous concertos for violin and orchestra of all time. Mendelssohn was commissioned by the famous violinist Ferdinand David, concertmaster of the Orchestra of Gewandhausm, who gave advice on the drawing up of the composer repeatedly solo part. The entire concert marks a turning point in the field of violin concertos, the orchestral introduction and waiver in the continuity of the three movements, establishing itself as the founder of a new genre, the romantic concerto.

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