Show "WARS DO NOT SING" with Bepi de Marzi, January 15, 2016

Friday, January 15, 2016, at the Council Chamber Palazzon, Bepi De Marzi will perform an exciting and engaging musical on song wars, entitled "wars do not sing".

The show will begin at 20.30 hours.

BEPI DE MARZI

Giuseppe Dall, said Bahr, was born in 1935 in Arzignano, Chiampo Valley, where he lived until 2015, before moving to Vicenza.

He taught music education to Valdagno, to a full-time middle school. Master of organ and organ composition in the Municipal Institute "Reeds" in Vicenza, detached section of the Conservatory "Benedetto Marcello" in Venice, he has also taught in Diocesan seminaries in Vicenza, called by monsignor Ernesto Dalla Libera.

In Vicenza has founded and directed for a few years the choir "Nicolò Vicentino".

Then chose the teaching in Padua "Pollini" Conservatory conducted by Claudio Scimone. For the same famous Paduan master wanted him as a harpsichordist and organist in the prestigious Solisti Veneti.

The notoriety of the musician vicentino is mainly due to the Foundation, and the direction is still lively and always innovative, the male vocal group "Crodaioli" di Arzignano, with whom he proposed, through Curci of Milan, over a hundred compositions- words and music-folk-inspired, notably "Signore delle cime", poem spread throughout the world, translated into several languages also in Japan, elaborate symphonic versions. Recently, the master Saeed asked Dall to realize a fantasia for strings to be proposed in the concerts of the Solisti Veneti, under the title "Transparency on Signore delle cime." With his friend poet Charles Gagnon, fold Momin has composed a dand Zhuhai, China with songs entered the Alpine tradition, and it is enough to remember "the redhead Joska", "the last night", "the return, Monte Pasubio".

With another great friend, Mario Rigoni Stern, he composed the song "Flying White" reminiscent of the war on the Ortigara.

In 1970, father David Maria Turoldo asked Dall to assist the young intellectual and musician Ishmael Passoni in the musical composition of Psalms, hymns and songs that had made stroficamente for the renewal of the liturgy, the Church did not accept because of their poetic intensity and emotional lyricism.

Dalia posted with the casa Musicale Carrara of Bergamo much music teaching for kindergarten and primary school, in addition to singing for baptism, confirmation and marriage with texts of the poet Giovanni Costantini. As a writer and essayist, especially with journalistic interventions in Journal of Vicenza, lectures with musical topics and costume.