Wind Quintet in concert Treschè Conca, Haydn and Mozart; the July 26

Wind Quintet in concert Treschè Conca, music by Haydn and Mozart; the July 26

Friday, July 26 at la Conca Treschè Church at 21.00 hours there will be a concert with wind quintet, with music by Haydn and Mozart.

Haydn

Haydn has often been honoured with the title of "father of the Symphony"; Although the appellation is justified only in part, since there are important parallels and precedents both in Italy and in Germany, there is no doubt that haydniana production contributed enormously to redeem this instrumental genre from subordination in relation to vocal music, and to give him a broad, flexible and complex. With regard to the Quartet, Haydn's paternity is beyond dispute.

Through these two main kinds (to which we must add the large body of piano sonatas and piano trios), Haydn became the most contested by author from the lively musical publishing of his time and the main reference point of "classic" style of the late 18th century.
The development of sonata form in a flexible and sophisticated expressive means, to become the main subject of the musical thought of classical age, must a lot of Haydn, and those who went directly to his work.

In addition, integrated escape classic style, and enriched the Rondo with a more cohesive tonal logic and organic. He was also the first composer to use extensively the double variation technique, a variation on two alternating themes, often in major and minor mode.

Mozart

The style of the music of Mozart not only closely follows the development of the classical style, but undoubtedly contributes fundamentally to define the characteristics, so that it can be considered the archetype itself.
Mozart was an extraordinary composer who worked with apparent simplicity in all major genres of the era: he wrote a large number of symphonies, operas, concertos for solo instrument, Chamber music (string quartets and string quintets) and sonatas for piano.

Although none of these genres we can say that he was the "first author", regarding the piano concerto you must recognize that it must to Mozart, author and interpreter of his own compositions, the grandiose formal and content development that would have characterized this sort in the next century. Beethoven himself had great admiration for mozartiani piano concertos, which were the model of his concerts, particularly the first three for piano.

Mozart renews the musical genre of the concerto: the musical discourse takes place as an equal dialogue between two subjects of equal importance, the soloist and the orchestra.